Old Matrix of Scarcity v. New Age of Infinity
Sometime back author and new-paradigm-shift thinker William Brandon Shanley posted a well articulated blog addressing the paradox of scarcity in a universe that quantum scientists say is unlimited – infinitely unlimited. All science is an awakening to what “always already is,” to paraphrase Beloved Adi Da Samraj.
Shanley is the organizing editor of a new work, which we reviewed in April. See: William Shanley’s Alice and the Quantum Cat
“A paradigm shift is underway, and a bright, bold new post-material, post-scarcity era called The Age of Infinity is rapidly emerging,” says Shanley.
From Shanley’s Age of Infinity blog –
How can I make such claims about the future? Simply because these technologies and sciences are characteristics of the nature of nature and we need only unfold what already is and “ride the horse in the direction its going” to make them tangible.
All science is an awakening to what already is. Our inventions and systems simply mimic what nature has already perfected with utmost efficiency through intelligent networks and least action principles. Through time, as our glasses become more and more refined, we’re able to see more deeply into the infinite fecundity, creativity, power, potential, and perfection of the cosmos and thereby create successively more successful theories, maps, metaphors and meanings to represent it.
William Shanley’s Alice and the Quantum Cat
I haven’t yet read Bill Shanley’s new compendium, Alice and the Quantum Cat, but I’m so excited to do so that I’ve mocked up a review from the publisher’s notes. So many of our favorite philosophers and thinkers have contributed!
There is one thing, major in our opinion, that is suspiciously absent from Shanley’s book, it would appear – our late friend Marilyn Ferguson was not included in the contributing authors, content, or even an acknowledgement in the forward. William Brandon Shanley, as Ricky Ricardo used to say, “Lucy, you got some ‘splainin’ to do!”
Few works of fiction have inspired more reworkings than Lewis Carroll’s Alice in Wonderland. From Disney’s 1951 animation, Tim Burton’s 2010 adaptation. Grace Slick’s White Rabbit, Alan Moore’s Lost Girls to the definitive Annotated Alice by Scientific American’s Martin Gardner, this little Victorian girl’s adventures in a world of fantasy have captured the imaginations of millions.
“Why shouldn’t Alice’s story be brought up to date and used to illustrate the bizarre nature of quantum reality?” reasoned William Shanley, an East-Coast media personality. So Shanley engaged myself and a number of others to refashion Alice’s adventures to explicate the mysterious world of quantum physics. Shanley’s passion to be all things to all people brought more and more writers into the project each with their own point of view. Every author invented their own new worlds for Alice to explore and the manuscript soon became a giant kaleidoscope of altered states.