Transcendental Art of Divine Imagery

“The image-art I make and do …represents the fulfillment, in fullest technical terms, of what I have always intended to accomplish by means of image-art — to create Self-Portraits of Reality Itself, which is to create the art of Transcendental Realism in the purest sense.”

— Adi Da Samraj / Transcendental Realism

“Reality Itself is Self-Apprehended as Truth Itself, and as The Beautiful Itself, in what Adi Da calls egoless Coincidence with Reality Itself.”

 –  Erik van Erp, PhD, from his introduction to Transcendental Realism

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Adi Da Samraj (1939-2008) created art for over forty years with a single intention: the visual communication of truth, and the means to draw the viewer beyond separateness into the paradox of “indivisible unity.”

Artistic Process – Adi Da began his first serious photographic work in the early 1960′s. From the mid 60′s to 90′s he produced a diverse body of drawings, paintings, and sculptural forms. 1998 marked the beginning of an intensive six-year period of photographic and videographic work, moving from black and white to highly saturated color, and featuring multiple exposures composed in-camera. His primary bodies of work from this period use the figurative form and other archetypes to address the deepest issues of human existence.

In 2006 the artist moved to digital technology, while still combining hand-drawn and painted forms as well as photographs within his compositions. In November 2007, Adi Da Samraj reached what he described as the “final resolution” of his entire artistic process. This turning point enabled him to create non-representational art by using a unique method he named “Orphic Font,” or abstractions constructed from “collages of pictographs.” Adi Da felt this work to be the culmination of his artistic work and philosophy, the fully realized expression of “transcendental realism.”

Exhibitions and Critical Acclaim – Full-scale fabrications of Adi Da Samraj’s images have included many forms of media, from monumentally-scaled paints on aluminum, to large-scale pigmented inks on canvas, photographic and videographic works, sculptural light boxes, plasma screen installations, and projected performance events.

Continued at – Da Plastique